One day she received a letter from Folk. He had come to London at the request of the French Government to consult with English artists on a matter he must not mention. He would not have the time, he told her, to run down to Liverpool. Could she get a couple of days’ leave and dine with him in London. “Well, have you two settled the affairs of the kingdom? Is it all decided?” asked Airlie.!

“No, it wasn’t,” answered the child. “Most of them were against it. And then there was Mama,” she added in a lower tone. “I would rather,” she answered.

Miss Tolley had chanced upon a Human Document, with the help of which she was hopeful of starting a “Press Controversy” concerning the morality, or otherwise, of “Running Waters.” The secretary stood just behind her, taking notes. They had drifted quite close. Joan could not help overhearing. “He’s right,” said a dreamy-eyed looking man, laying down the book he had been reading. “We should have done just the same. ‘My country, right or wrong.’ After all, it is an ideal.” She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman.